Psunami is the popular water tool behind many feature films, TV shows and commercials, including Miramax’s movie The Aviator. Psunami generates precise 3D geometry of an ocean surface, then produces ultra-realistic ray-traced output that looks like real water. Here you can download psunami plugin for after effects shared files: Plugin For After Effects CS4.rar from mediafire.com 150.58 MB, Plexus plugin for After Effects CS3-CS6.rar from mediafire.com 24.81 MB, Red Giant Trapcode Suite 11.0.3 Plugin for After Effects - Downloadswis.com.rar from mega.co.nz 138.14 MB.
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Learn how Red Giant gives digital artists the tools they need for incredible visual storytelling.
Learn how Red Giant gives digital artists the tools they need for incredible visual storytelling.
'I cannot imagine my work without Red Giant tools. Sparks, smoke, and magic are basically my livelihood - and the astonishing Trapcode Particular is one of my essential tools when working on live action or animated films and television.”
Daniel Hashimoto0003
Action Movie Kid
Action Movie Kid
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Compositing Artist
Compositing Artist
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'Magic Bullet Suite is part of everything we do. Quick, amazing color for the first rough cuts with Looks and Mojo. Precise color when we finish using Colorista. Our clients benefit from a flexible and fast workflow with no compromise in quality. ”
Gregory Nussbaum
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PreviousNextHey there everybody, Simon Walker here. I've got another QuickTip and this time it's forRed Giant Psunami. Now Psunami is a plugin which simulates watersurfaces. It simulates photo realistic oceans and skies. And it does this by creating 3Dgeometry of a surface and then it ray traces that to make it look realistic to make itlook like a real water. And it works with Final Cut and with AfterEffects and it's got lots of adjustments and settings and so you can really customize lotsof elements: the speed of the water you can change how the wind affects the waves andthe surface of the water, you can change the time of day and say how the light interacts.You can fly a virtual camera of the water and create an animation. Displace the surfaceand even add an object that floats on the surface as well.So all these features are great, but this is a QuickTip, and what I want to show youis how to use this plugin to create a water scene quickly in Final Cut.I can add Psunami to the timeline by creating a slug, and then choosing effects, video filters,Red Giant Psunami. And here's the scene at the default settings. And if I go up intothe filters tab for this slug, these are all the settings for the plug-in.And yes there is a fair amount of stuff that you can do with this plug-in. And while thisis great, you might be thinking to yourself 'which slider do I use first?', 'which oneof these categories do I start off with?', what's themost important control to get the most impact in the fastest time?'Well I found that the first thing to do is to close up these disclosure triangles, sothat I have a good idea of which particular section I am dealing with, and then I canconcentrate on one thing at a time. For example in the camera section, if I increasethe field of view, that can dramatically change the vista and the width of the shot. And ifI combine that with the elevation slider, just in a couple of clicks I've got a dramaticallydifferent type of shot which is telling a different type of story.But whilst these are quick ways to dramatically adjust the look of your scene, there's a muchfaster way of getting quick results out of Psunami, and that's by using the presets thatship with it. Psunami ships with a Final Cut pro file fullof these presets for different times a day, different looks, different styles and differentweather conditions. And the thing is, I know the scenario.. you'vefinished your edit and it's all ready to go, except you'd like to add in a title plate.And the whole content of the job suggests a water theme.Pictures In A Row
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And so what motivates me in situations like this, is all I've got to do is to add thetitle at the beginning of the timeline. And I can do this with the standard Final CutPro text, but I want to add an interesting background to it. But I think the standardwhite text on a black background you get in Final Cut, the sort of thing you're temptedto do when you're rushing at the end of the job, this standard text is a little too plain,so I like to put it over a background. So I'd like to jazz up the text somehow, butI have to stay in Final Cut because I haven't got much time left, and whilst I could trawlthrough the online stock video sites and buy some background footage, I might not findexactly what I'm after, and the clock is ticking. And this is when the presets in Psunami comein handy. And the advantage is that I can then choose from a series of these presets,a particular scene which I can then choose to adjust slightly and add behind my titletext. And that's just what I've done over the nextcouple of slugs. I'm going to turn on the overlays, and this then shows the marker texton each of these clips, so you can see which preset I'm talking about.So on this second clip, I've just added the Up On High preset, which is nice by itselfbut the background I wanted was some standard gentle rippling water. So of course this sceneis way too high, but by just tweaking those two sliders, the field of view and the elevationslider I mentioned earlier, I'm able to change the position of the camera to be much closerto the water. And that's what I've done on this next clipAnd all I've done is just change two sliders, the field of view and the elevation slider,and now I've got my water background. And the nice thing is that Psunami automaticallyanimates the water for me. It's got a prebuilt oscillation of the waves so I haven't hadRed Giant Tsunami Plugin Download
to setup any key frames, all I've done is applied a preset, moved the camera and I'vegot my water background. Another preset I really like is Caribbean,and that's in the in the Underwater section. I like the fact that this has given me aninstant underwater look without having to set up the camera and manipulate that andposition it under the surface of the water and all the work's done for me.And whilst we're on this filter, it's worth pointing out that you can change the rendersettings which in turn can have an impact on your render times.This preset defaults to rendering at realistic. But if I set this to wireframe, I get a wireframedepiction of the surface, but the wireframe takes a less processing power than the realisticsetting. And that means on the elevation slider I can get pretty much real time feedback onthe height of the camera, and also on the field of view.And depending on the render speed of your computer this is a faster way of working,I can setup the scene and then when I'm happy, I can change the render mode to realistic.And this is my final title plate with the text layered over the background water. Andactually, what I've done here, is that I've added a little wave onto the text. Let mejust show you.. I've added one of the in-built Final Cut filters, Wave, with two key frameson it, just slightly animating the offset. So you got this nice undulating effect onthe text here and also on this text I've changed the composite mode to Overlay and that's whyyou can see some of the wave details through the text.The point is, this is made with a preset, a few adjustments to the in-built text toolsRed Giant Psunami Plugin Free Download
in Final Cut and that's it! I haven't had to leave the timeline to go to an externalgraphics program. And this isn't because I don't likeexternal graphics programs.. I love Motion, I love After Effects, but I don't always havethe time to use them, and so quick little fixes like this which can bring up the productionvalues of a fast edit, I think are aways really handy.And talking of quick fixes you can increase the depth if you like of your water, by combiningPsunami with other Red Giant filters. Here's the Carribean preset combined withthe Shine plugin. And interestingly here, there are no keyframes on this shot, the wateris animating the light rays and on this next clip I've got Radium Glow Edge, just pickingout a nice sparkly highlight on the edges of the waves.And then I've got Trapcode Starglow on this next clip which is adding a nice little sunlightreflection, again without any keyframes. And here's what this clip looks like in theviewer.. I've got the the Up On High preset with an adjusted elevation height, and I'veadded the Starglow filter, pretty much at the default settings.. I've just gone into